David, my most serious period of study was decades ago. I was in New York and studied with some of the great calligraphers there. Barry Morentz in particular. Despite serous study, one of my limits was because of muscular tension (probably a product of my anxiety to do well).
I actually did not...
@Masgrimes, Here's a flask. It's pewter, so the cuts are a little mushy.
I engrave a lot of banjo parts. "Whiskey Before Breakfast" is the name of a fiddle tune that a lot of banjo players know.
If you want to see someone who cuts script with ridiculous precision, look up Kai Simola on Facebook...
I took David's live class several years ago when he came to Tucson. I had tried learning on my own, but after I took the class, I understood how letters in this style are constructed. I still refer to my class material when I get stuck on some aspect of engraved script.
Why would I give free lessons?
1. When I wanted to get into engraving, I found the whole experience confusing and frustrating, not to mention expensive. It is hard to know what is essential and what is peripheral to a beginner. I would like to be the guide I never had.
2. I enjoy mentoring...
I have been using the PulseGraver for about two years. It was my first powered system. It has been a great help. So I am not negative about what I have.
When I try flair cutting with a flat graver I wonder if it is under powered. Can anyone comment on the power of the PulseGraver to move metal...