I made my living playing pedal steel for 45 years.i have a pedal steel that was completely hand made. only using a drill press, hacksaw and file. i did not realize it when i bought it(online pictures only). really quite amazing. but the guy's welding skills underneath were a bit lacking. i decided to re-jigger the thing to meet my requirements. it's been an on and off project for about 10 years. i really should finish it because i am sooooo close. i even took some time to engrave the endplates a few years ago.......here's a pic(ashamed really) View attachment 44745 ....guess what it looks like......
I worked for a whole lot of folks: Dottie West, Paul Simon, Arlo Guthrie, to name a couple of the better-known folks. Early on (Early '70's) I used a Marlen S-10. In '78, I had an Emmons D-10 built for me that I still have and play to this day. At one point, another Emmons D-10...I was doing a huge amount of recording sessions in NYC for the Jingle business, so if I had to back to back sessions at different studios, I'd have Studio Instrument Rentals deliver my second steel to the second studio, and come packup and retrieve my 1st steel from the first place. There was so much work in NYC between about 1977~1990 that you would often do 8-12 sessions a week. ...then, it pretty much dried up for pedal steel...at least in NYC. Good times, good times.hi gordon....
who'd you play for? what kind of rigs did you play?
i only did it as a "semi" professional. try as i might. and now country music is not what it once was.
do you know john widgren?