tsterling
Elite Cafe Member
Here are two knife scales I just finished for William Henry Studios. This is their B30 model, and the scales are 416 stainless steel. I’ve placed two main inlays on them, a dragonfly and a butterfly, both in shibuichi (25% silver, 75% copper) and 24k gold. Photos are courtesy of William Henry Studios.
The rest of the engraving is done in a Japanese metal carving technique called shishiaibori. The technique starts out with very deep external outlines (takes me three times around with three different gravers, wide to thin, to get deep enough and cutting heavily each time). Then, the inside edges are carefully carved back, rounding them over to achieve a 3D look. Obviously, you need to have steeper sides in some areas, and shallower sides in others to achieve the 3D look.
The main point is there is no background removal, as in “normal†engraving, and all of the design (not including the shibuichi inlays) is at or below the surface, so wear and tear on the engraving should be less of a concern. Anyway, that’s my story and I’m sticking to it!
You can see a more exhaustive discussion of the shishiaibori technique on my blog here: http://sterlingsculptures.com/wp/?p=2781
And an ad nauseum step-by-step of engraving theses scales here: http://sterlingsculptures.com/wp/?p=2654
Thanks for Looking!
Tom



The rest of the engraving is done in a Japanese metal carving technique called shishiaibori. The technique starts out with very deep external outlines (takes me three times around with three different gravers, wide to thin, to get deep enough and cutting heavily each time). Then, the inside edges are carefully carved back, rounding them over to achieve a 3D look. Obviously, you need to have steeper sides in some areas, and shallower sides in others to achieve the 3D look.
The main point is there is no background removal, as in “normal†engraving, and all of the design (not including the shibuichi inlays) is at or below the surface, so wear and tear on the engraving should be less of a concern. Anyway, that’s my story and I’m sticking to it!
You can see a more exhaustive discussion of the shishiaibori technique on my blog here: http://sterlingsculptures.com/wp/?p=2781
And an ad nauseum step-by-step of engraving theses scales here: http://sterlingsculptures.com/wp/?p=2654
Thanks for Looking!
Tom