New hand engraving workshop in Barcelona

Jordi

Member
Joined
Nov 11, 2006
Messages
85
Location
Barcelona, Spain.
Finally! In october 2007 I opened my new hand engraving workshop in Barcelona, Spain.



Right now, this is the best fine hand engraving studio in Spain, comparable to the best international studios. I can engrave highly detailed and resembled portraits, my speciality; custom designs and artistic scenes; bulino and banknote engraving, etc...
I can also teach on a one-to-one basis, or demonstrate how tools work, either with the Gravermach or with the Lindsay Airgraver. Don’t hesitate to visit my shop if you ever come to Barcelona.

This is the end of a long learning process that started six years ago...
After two years of daily training at the Catalan Jeweler's Guild School with master engraver Antoni Padró, learning the traditional hand-pushed engraving methods, I decided to try a pneumatic tool (no engravers had it in my city). The first information I got from this technology came from Steve Lindsay's web page. I contacted him and he kindly sold me a Chasing Airgraver. What a change!
Later on, as I joined the Knife embellishment forum, an american engraver that came to Barcelona for holidays contacted me just to change impressions about our work: he was Christian Decamillis. Having such a great engraver in my city, I couldn't avoid asking him "Where can I learn more?†and he kindly said “I can teach you, if you are able to go to the USâ€.
That’s how I ended up in January 2005 in Reno. There I could meet so many great engravers! I met personally Steve Lindsay, Bertil Aasland, Rick Eaton, Eric Gold, Brian Marshall, Johny Weyerts,… among many others. After the show I spent one month learning from Chris, with a Gravermax. That was the most intense and valuable learning experience I’ve ever had. I could also learn from the work of David Riccardo and Jason Marchiafava. I still share with David my enthusiasm for artistic engraving and printmaking.
Back to Spain again I started to get some work from a local armourer. I've also engraved jewelery for the past 4 years. I travelled around and could meet other great engravers like Sam Alfano, Lee Griffiths,… and attended the Grand Masters Weekend at Emporia in 2006, where I met many more great engravers there (I won’t say all the names for the list is long), as well as the kind people from GRS.
I’ve also studied an interesting introduction to stone setting at Magnus Jensen’s school in Sweden. And now, all my efforts consist in showing artists about the dignity and potential of hand engraved art.
And that’s enough for today… Words of thanks are mandatory to all of you who have encouraged me in this long way to engraving.
 
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jlseymour

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Joined
Dec 22, 2006
Messages
695
Location
Mt. Dora FL
Jordi,
The best on your new venture and hope to meet up some day...
Good luk and God Bless...
Jerry
 

Andrew Biggs

Moderator
Joined
Nov 10, 2006
Messages
5,035
Location
Christchurch, New Zealand
Hi Jordi

Fantastic looking workshop you have there.

Good luck with your new adventure and make sure you post plenty of pictures and let us know what's happening in your part of the world.

Best wishes

Andrew
 

jimzim75

Elite Cafe Member
Joined
Nov 10, 2006
Messages
808
Location
Canada
Hi Jordi,

Your going to get real busy, real soon. If it hasn't happened already. Remember to keep
a couple of hours for yourself to do what you want to do.

Be happy in the new shop, I look forward to seeing some amazing things.

Jim
 

JJ Roberts

:::Pledge Member:::
::::Pledge Member::::
Joined
Nov 10, 2006
Messages
3,549
Location
Manassas, VA
Jordi...Congratulations on your new engraving school. I am familiar with your work from the Lindsay Forum. Best of luck. Keep up the good work.

Yours truly,
JJ Roberts
School of Artistic Engraving
Manassas, VA
www.angelfire.com/va2/engraver
 

KCSteve

~ Elite 1000 Member ~
Joined
Jun 19, 2007
Messages
2,882
Location
Kansas City, MO
Congratulations!

I think your shop has the potential to grow almost as much as the forum here (but hopefully not quite so quickly ;))!
 

Roger Bleile

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Joined
Oct 4, 2007
Messages
2,997
Location
Northern Kentucky
Jordi,

In your training in Spain were you ever taught the technique of damasquinado? At one time it was common to see deluxe guns from Spain covered in, what is called in English, damascene gold work but I never see it on modern Spanish guns. As I understand it is still done on jewelry in Toledo. I have always wondered how it is done and if it is as time consuming as it looks.

C. Roger Bleile
 

santos

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Joined
Nov 12, 2006
Messages
360
Location
France
Estupendo Jordi

veo que te lo tomas en serio ! :)

Barcelona is one of the most beautiful towns in Europe , and now you have another reason to visit it: It has one of the best engraver workshops of our old continent .;)

Congratulations
 

Jordi

Member
Joined
Nov 11, 2006
Messages
85
Location
Barcelona, Spain.
Thanks to all for your nice comments. :)

http://www.damasquinadoaledo.com/publico/catalogo.php

Roger, here is a link to a web from a spanish "damasquinador". The technique is simple, the same used for gold overlays, filling the area with little "teeth" raised by a graver or burin, and then hammering the 24k gold or silver on it. I know that, nowadays, the basque engravers learn their inlay techniques from the italians, so they apply the term "damasquinado" to what we all call gold inlays or overlays.
But even the especialized books on spanish engraving doubt about the original technique that was imported from Damascus. Yes, it might have been somewhat different in the old times from what it is now. It is very time consuming when it comes to sculpt the gold; some of the objects in this web are considerably big in size and almost completely covered by gold.
 
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Roger Bleile

~ Elite 1000 Member ~
Joined
Oct 4, 2007
Messages
2,997
Location
Northern Kentucky
Jordi,
Thanks for the feedback on the damasquinador. When I look at guns like those pictured on the web site you posted I see more gold than background so I always wondered if they gold plated the whole gun then cut the gold away from where the background is then blued the gun to make the background black. What also led to this belief on my part is that years ago these guns were not very expensive in the US compared with the going price of a plain gun. I guess the wages for a damasquinador in the 1950's and 1960's was not very high by US standards in spite of the time and skill required for the work. At any rate I have admired the skill and artistry that goes into gold damascene as done in Spain regardless if it is on a gun, armor, or jewelry.
Thanks again,
Roger
 
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