Engraving project - from start to finish

vilts

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Here’s a little overview of how one engraving is done. Of course there are many ways to achieve the same result, but this is what I use and it works for me.

This engraving was done for a DVD box that was a gift for a couple whose wedding photographer I was.

First off me and my dad brainstormed about 3 hours how to make the box. First idea was to make usual rectangular box, but we just couldn’t find a way to put the discs safely there and we definitely didn’t want to use any plastic parts for DVD holders. The problem was also that I had to fit 3 discs there. We tried to come up with a way to modify plastic boxes that hold 4 discs, but nothing was really good… Finally we came up with the simplest solution - circular tower. It was the easiest to build and probably looks most elegant too. Dad went off to build the box out and veneer it, I started to work on engraving design.

Design process usually starts with scanning the detail I want to engrave, in this case 12cm DVD disc, getting the contour lines in Photoshop and printing it out as big as possible, so I’ll have enough room to draw my scrolls and leaves. Then starts the creative process with pencil and lots and lots of eraser. I still rely heavily on the design book, it takes time and practice to learn it…



Drawing the design for this piece took about 4 hours, but I believe it will shorten as my skills improve. Fortunately this detail is symmetrical so I could draw only one side and later mirror-copy that to the other side. After drawing is finished with pencil it is redraw it with black pen, then I erase the pencil lines and the scan the drawing again.



In photoshop I copy the design to the other side, enhance levels and whatnot, mirror the whole design, resize to correct size and print out several copies with laser printer so they can be transferred to the piece. Transferring is done with acetone on damp paper towel - I place the design face down (hence the mirroring in PS) on the metal plate and apply acetone to the backside. This effectively melts the toner on the paper and transfers it to the metal. On this photo the right side is already cut and left side shows toner marks.



After the main lines are engraved it’s ready for shading and background treatment, both are very time consuming. Shading means just adding lots and lots of fine lines to the leaves that will give 3D look. For this project the background was stippled, which means just ‘destroying’ the negative space areas with needle-point tool.

Here’s the stippling tool attached to graver and the brass plate on vise:

 

vilts

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Part 2

This is a close up where you can really see the shading and one part where background is already stippled:



And this is the final result:


Complete box with discs:


All in all this project took about 3.5 working days to complete and I’m quite satisfied with, as was the bride who got it as gift. I’m sure I’ve never done anything that beautiful during my programming career… This all is quite satisfying.
 
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Sam

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THANK YOU viljo! Posts like this make the Cafe the great informational forum that it is. I appreciate you taking the time to walk us through your project, and I've added it to the Tips Archive for future reference.

You are making wonderful progress, and your work continues to improve with each job. Congratulations!
~Sam
p.s. Excellent photography, too!
 

Daniel Houwer

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Thank you Viljo,

That is a beautiful explanation!
I've been trying to get my head around on how to make scrolls look good.
And because of your post I discovered that I'm digging to deep.
The little book on the first picture looks quite handy.
Could you tell me the title and the isbn number? Or are there similar books that a starting (hobby) engraver should have?

Thanks again,

Daniel
 

vilts

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Yes, that is "Advanced drawing of scrolls", a very useful book indeed.

You all are mostly welcome, it's nice that I can give little back to engraving community with my limited skills that I have. Actually this 'tutorial' was a post in my blog and after finishing it I thought it just might benefit someone here too. If you're interested then my blog is here: Journey from programmer to blacksmith.
 
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Thanks for taking the time to do up this tutorial, it is most helpful to the rank amatures such as myself to see the process in a step by step manner.

The engraving looks great as well.

Thanks Again
 

monk

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this is a perfect birds eye view of what to do for those who aren't sure just how to start this teriffic process. it not only shows how, but just as important what an idea can bring about in the creation of something to last several lifetimes !
 

KSnyder

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Vilts, very nicely laid out design, tasteful engraving and a very neat gift as well!
thanks for showing and the extra work for the tutorial.
Kent
 

KCSteve

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Great post Vilts!

I know what you mean about the difference in feeling between programming and engraving. Just about every programmer I know has some 'real' thing they do on the side.

For those of you who aren't programmers it's a matter of trying to explain to someone "What have I been doing for the past two weeks? Here, look at this medical monitor. No, I didn't do it. See this line? No I didn't do that either. But see how smooth the line looks? That's what I've been doing for the past two weeks." (True story, btw - back around 1986, tricky because it's all assembler on a couple of small microprocessors working together to do a lot of stuff so line smoothing had to be done in a way that didn't use a lot of the few available resources.)

It feels much more satisying to say "What have I been doing the past 4 days? This". For some reason people seem a lot more impressed by even relatively crude engraving then they ever were by really smooth, really fast lines. ;)
 

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