learning hammer and chisel

pilkguns

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got this message this morning, thought I would reply publicly

Scott, do you know anyone that teachs hammer & chisel specifically? All the courses I see are centered on power assist.
seems like the hammer is a dying art at least in the USA.



I learned with hammer and chisel, and used it for roughly 10 years before switching to the Gravermax, quite by accident, as it turned out but thats another story..that and a certain Mr. Alfano was involved. Well, maybe I should explain a bit more. The Gravermax was bought soley for my wife to stipple background with, and the Gravermax would pay for itself solely on that basis, since she was doing stipple with hammer and chisel stipple and Sam had assured me that what took 8 hours to stipple with hammer and chisel, could be done in 2 hours with a GMax.... he had just gotten one and was amazed, and was telling me to get one , anyway that's the condensed version. This was back in '91 BTW.

Anyway, prior to this I had taught both week long and weekend seminars using hammer and chisel, and push gravers. Quite frankly I was wearing a little bit of a chip on my shoulder, since I was using "traditional tools" my work was better somehow since I was'nt using those "newfangled" power things. Since I used the foot turn vise system, pretty uncommon in those days, I believed that the only advantage Graver-max-miester, or N-graver gave you was the lack of having to stop mid scroll to move the vise or your body. With the foot turned vise I thought I could cut just as fast as the power guys, and use traditional tools, so as I say, I was a bit proud that my work was intrinsically better somehow because I was'nt cheating using the new stuff. All this to say that learning, using, marketing my work, and even teaching, I was a hard core hammer and chisel fan.


OK, I was trying to stay out of the longer story but I guess bit more of how I got converted to the Gravermax is necessary. 1991, I was seriously doing high end knives, the Knifemaker’s Guild show was THE SHOW, very few other shows even existed at that time. Engraving wise, I had two complete work setups, my wife doing background removal and stippling and me doing all the design, layout, scroll, and inlay work. Time being money, cutting 6 hours off the stippling time alone was a worth while for my wifes time, so I took Sam’s advice and ordered the GraverMax at the Knifemaker’s Guild show from then long-time GRS employee Jeff Hogan. He had of course been after me for sometime to convert, and really thought it a coup that such a confirmed hammer and chisel guy was buying a Gravermax. But I as I say , in my mind, it was bought for one task for my wife to use. It was not for me to use for REAL engraving.

Engraving was mostly feast or famine, doing the big jobs, and multiple big or middle size jobs leading up to the Guild show was always famine, waiting for the feast of delivery at the Guild show. I normally came back from Orlando with 15 or 20 thousand dollars cash, both from engraving commissions and spec knives that I had bought and engraved and sold on my own. So what happened next really came at a good time, if such can come at a good time. Trying to be a good Samaritan late at night, I got run over on the Interstate , an idiot ran three feet into the emergency lane to hit me, knocked me about 20 feet, and I literally nearly bleed to death before getting to the hospital. Condensed version, but one of my legs was fractured, and the calf muscle was ripped in two, where his bumper had clipped me at 70 mph. I also broke his windshield and tore off his passenger side mirror (Thank You Ralph Nader) and was a scab from head to toe. This happened two weeks after the Guild show, so as I say, I was sitting on a significant portion of my year’s income, so that part was good. Tommy Clark, of Blue Ridge knifes, whom I had bought 5 or 6 thousand dollars worth of knifes from at the show, sent me my money back when he heard, and told me to pay him back when ever I got back on my feet. Sam Alfano, bless his heart too, had offered to finish up any knifes I needed done to get paid for, but really I had’nt done much since I got back…(enjoying that feast don’t ya know!) Okay, enough of the gore, the point of all this was to get back on my feet, I had to get my feet back, since the only way I knew how to engrave was using my feet, barefooted as it were, to turn this disc at the bottom of the vise. I could’nt do that with a broken leg that was swollen up like a big fat sausage and was going to be out of commission for 3 or4 months at least. My wife and I both are doing this engraving as I said, so its pretty much our sole source of income….What to do?…….. Of course , my package from GRS had showed the week I was in the hospital, and after I was home and feeling capable of sitting up, I tore into those boxes from Kansas, and I figured out pretty quick , Hey, I can turn this work with my hand now, I don’t really need my feet… So I learned how to use the Gravermax and never looked back….. well mostly.


Now finally to answer the question, originally presented, I am sure that there are some hammer only classes here and there. FEGA publishes every year a comprehensive list of classes and schools around the US and world and I quite sure I have seen some, but don’t know any specifically.. But, since 1995 I have been teaching for GRS, and there is nothing taught that is not applicable to hammer and chisel. I really don’t think that would be any different from anyone’s class. I have had students who brought their hammer and chisels, and used them in the class some… There is nothing explicity different from the two techniques in terms of mechanics. Only the power source. I initially teach graver angles from standard one size fits all viewpoint, and at the end of the week we discuss the need to personalize heel angles, and face angles based on the factors like magnification used, styles done, and bench heights that will determine what angles are best for your needs. Exactly the same is needed to be done for hammer and chisel, so I would FIRST OF ALL I WOULD SAY THAT YOU WILL LOSE ABSOLUTELY NOTHING by taking a power class from GRS, or Ray Cover, or Johnny Wyatt or whomever… Hey GRS even sells custom made hammers now ironically enough.

However, the second thing I would say is, and I have said it before, I see people doing work on Friday afternoon of a 5 day class with power assist tools, that it took me 2 years to get to with hammer and chisel, working/practicing pretty much full time. Seen it happen too many times…. I personally think you are crazy to try to learn with hammer and chisel if you want to do good work. There are too many distractions and cares of life, to learn the hard way. Hobbies are relegated to small amounts of time and with hammer and chisel, 99% of the people reading this board, don’t have that time available to get good with a hammer and chisel. If you want to get to a reasonable level of work in a reasonable amount of time on a part time basis, remember I was practicing for 2 years basicially full time, the ONLY WAY TO MAKE THAT HAPPEN is with power assist…. That’s my firm opinion, take it for what it’s worth.

I can, and everyone once in a while to prove it to myself, will cut a little something with a hammer, and TBH, it has been a bit of door opening when in various engraver’s shops, or engraving schools in Europe, when I get an upturned nose at me when I say I use a power tool, that I can grab up a hammer and stand up (or sit down) at their bench and cut away with their tools…. It usually gets me smile, back slapping or an offer of beer.

BUT IN NO WAY WOULD I EVER GO BACK OR RECOMMEND THAT ANYONE DO SO. Been there, done that, got the scars on the T-shirt.
 
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Tom Curran

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Scott, thanks for your insights on hand chisel work. I had struggled with this issue just considering a GRS system. I respect what you say about a chip on your shoulder. I have one too. Been trying to get rid of it, but it can be a persitent bugger. Just saying it out loud will help put that beastie in its place.

I cut everything to this point in my life with hammer and chisel. I was curious about the GRS system about a year ago, when Jerry Huddleston told me this was something I should acquire. Not me, I'm a hammer and chisel guy.But I went to the Custom Knife show in in NYC to try the demo GRS had. I knew from first try that this was the way for me to go.

For me, the aspect that was most important to retain is that the work still be cut by hand, and look that way. The GRS is much akin to drawing, so I felt I could easily slip into this form of machanization without compromising any of my aesthetics.
 
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pilkguns

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Tom, I just clicked on your profile and viewed your website. Wondeful website with just the right "feel" to it appropiate to your work. I feel like sidling up to your fireplace and warming my hands as I look around your site. Fascinating variety of and fun work that you do. But I saw this quote "I lost a very dear friend recently. If there is any message in that for me, it’s do what you really want to do, and start now." and can't agree more. My turning point was laying in pool of blood on the side of an interstate in 1991.
 

KSnyder

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Scott, I understand that time is money. I understand that the learning curve is greatly reduced.
But somehow the basic premise is lost on some folks.
It would be my guess some may not be able to sharpen without a power hone or cut anything with a hammer & chisel or draw their own art work.
I know its a fast brave new world and Americans need instant gratification without "learning" anything.
Don't misunderstand, I dont have any quarrel with power equipment, I've got lots of it in my shop.:D
Someday if I can ever retire I may get some pwr assist engraving equipment. But for now I can still cut by hand.
You know the other day I met an older draftsman and he told me, "kids now days don't even know how to use a pencil or square, if it cant be done on a computer they are done."
That's pretty sad.
Anyway, I'm cutting away and saving for a class to make the jump to light-speed.
Btw, I'll take that beer now!
Kent
 

Marcus Hunt

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Scott, I agree with you entirely. I got the T-shirt too and will get the scars in hospital tomorrow when I finally get my neck operation sorted....who said engraving was a nice, safe pastime, eh? I would never turn back now either and Airtact promises to be something else too.
 

pilkguns

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Kent, yes its true, there is something that is lost as soon as you say you have a machine. It's like oh, no talent is required since it is machine done. I admit there are times, when people ask me about how it's, I say its done with a hammer and chisel... even though for me it's really not anymore, just because you get that OOOOOOOHhhhhh reaction.

and I think about ancient engineering marvels, that we as humans have lost the ability/knowledge to do, like for instance the Great Pyramid at Giza, (really cool standing at the base of it and looking up and up and up...)and in some sense there is the hammer chisel lost technology fear in me to for this art form I love..... speaking of Egypt, and hammer and chisel, I remember watching a street market engraver in Cairo doing one of those big copper and brass plates that Egypt is famous for with a normal claw hammer, with a big disc welded to the face of it, and the handle shortend way down and then a wood ball shape over it. he was quite handy with it, (and it was the one time that left without a camera GRRRRRRRR) and of course I had to show off, that I could do it too.... and he was really quite amazed.
 
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Tom Curran

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I grew up with hand tools, sawed my parts out with a hacksaw, or beat them out on the forge, filed them to shape. I've spent countless hours doing things the wrong way, have a mountain of failed projects. And a mountain of acomplishments. All of this takes time, whether it's by hand or machine. There's nothing like having the right tool for the job. It saves you time. I don't mean simply a faster way to the end, I mean that I just have so much time on this earth to make what I really want to make.

That said, I could go on ranting and raving for a looong time. But the core of this rant is artistic expression, it's not totally about the tools to get there. I have a foot in both worlds, a computer, CNC equiment, lathes in one, and hammers and chisels in the other world. I can work both worlds without any internal conflict about which tools I am using.


Scott, thanks for your kind words about my site.
 

KSnyder

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Scott,
I think you are mis-understanding me. I'm not saying folks using power assist have no talent, you couldn't read this forum & see the fantastic work here and think that.I'm just saying a foundation of at least understanding how the old timers worked gives maybe a better feeling for the work.
You cant stop progress, but sometimes I wish it slowed down some.
Kent
 

pilkguns

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No, Kent, I understood you perfectly, I did'nt take it that way at all. We were both saying the same thing. Obviously I did'nt express myself well enough.
 

Tom Curran

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Too late, Scott, when I was twelve, my neighbors nominated me 'old world philosopher'.

E-mail is a funny thing. I find I have to really concentrate to make sure what I write reads like what I mean.

Kent, I can understand where you are coming from. I am building a jaeger rifle at the moment. I need some tiny rasps to work in and around the raised relief carving. Nobody makes what I need. I end up making them myself.

In some ways, we must re-invent the wheel that was once fully developed, then lost again as industry changed, generations died off, factories close, skilled labor moved away. I am amazed by the workmanship on the 18th Cent firearms, woodwork, metal work, artistic design all coming together on one object.

There were specialists, among them chiselers and engravers of steel and precious metals. Who made their tools? Who made all those needle files, rasps, gouges and chisels? Were there specialized tool shops cranking out tools for the great gun shops of Gemany, France and England?

This is part of what I am discovering as I build guns.I feel a connection to a distant time and place that I can't really put my finger on. These people are our brothers, these workmen producing fine arts for the kings and dukes.

Tom
 

KSnyder

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Tom, Scott,
Yep, thats what I was trying to say. I'm a rifle builder as well, been at that game since 84'. I use alot of handmade tools , scrapers etc along with power tools as well.
Btw, check out www.woodcraft.com for lots of micro tools that include rasps , rifflers, chisels, gouges and alot more.
They got the best selection of Swiss gouges I've seen.
Kent
 

pilkguns

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the old workd craftsman puts so much more in because they had so much more time to put into it... Like it or not in most cases, it was the majority of their waking hours. People had no 40 hour work weeks, it was literally daylight to dark. Kids were often doing the smaller work that required smaller hands, so all in all, there was much more labor hours per week, per year to 1) learn a highly skilled trade and 2) accomplish beautiful and fanstastic things with skills once acquired.

Lots of areas I could go with this. I love going through the fantastic churches and castles in Europe, and the stonework andwood carving and engraving, and painting every is a feast... I think we talking of Florence earlier.... but a lot of those church commissions, or castle commissions were essentially slave labor, enforced by the threat of eternal damnation in death from the former, or immiment transisition to death by the latter. Yes, those that were at the top of their game prospered, as in any human pursuit, but there was a tremendous base of that pyramid of ceaselessly working souls to support the master of the craft.

Today, where are we? we have so much leisure time, so many things to do that thrill the eye and inspire our brains from TVs, to ipods, fine mueseum, music of any sort at a touch of a button.. What do we a want to do with our time? and there Tom hit the nail so perfectly with his hammer.

"There's nothing like having the right tool for the job. It saves you time. I don't mean simply a faster way to the end, I mean that I just have so much time on this earth to make what I really want to make."


There it is folks, what do you want to do with your time? You have 24 hours today, 8 of which you are sleeping . What about the rest fo the day, what do yuo want to leave for humanity to see. Does anybody really care what bristle style was used to do the Mona Lisa? Yes, the few art historians, but the vast majority of humanity that are going to look at beauty of the object you made and judge worthy or unworthy of continued multiple viewings, they don't care how you did it. Just as long it as it works and does what it is supposed to do, (assuming it is a functional item) and is comely to look it. They really don't care if it was done slow or fast, if one person or 20 worked on it. If they like, they will want to own it, assuming they can afford the price it is offered for.

You as the craftsman/artist have to control the price and to control that you have to control your time. At the beginning you want to be fast enough to sell your work at reasonable price so people will buy it. As you get more famous, and your skills increase, you want to be fast enough and charge enough so that you have enough time and money to accomplish other pursuits that interest you, sometimes related to the first money making skill, sometimes not.

On the other hand, some people do things simply for the joy of doing things.... If your hobby is cutting with a hammer and chisel and it gives you joy to your soul to do that, then do it. I don't mean to tell you not to. Me, I like using a scythe. I can go out and cut grass with an old fashioned sharp scythe and say this is relaxing. Yeah, I could cut it faster with a weedeater, and yes I do sometimes depending on the job, but I enjoy the back and forth motion and quiet swish as the grass is falling. I have doctors and lawyers that are my students that tell me cutting scroll is how they relax. So be it. But the point I was trying to make early was if you want to get reasonably good in a reasonable amount of time, and that is where you are gaining the most pleasure, in having reasonable good work to look at it, then the way to do that is with power engraving. If your greatest joy is in the act of doing a traditional thing in a traditional way, no matter what the final product looks like for a long time then I say do it with a song in your heart and a smile on your lips.
 
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Steve Adams

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Is it okay if a die engraver sticks his two cents in? I started with hammer and chisel and although I have all kinds of tools available to me now, I am a better die engraver for maintaining this skill. One, a hammer and chisel can manage material removal in ways other tools and power equipment can't, and two, combining this skill with others increases my speed,quality and profit. I do like feeling one with the steel. Its a John Henry thing. I am 30% faster than most die engravers and it is due mostly to a hammer and chisel. I don't know how to engrave knives and guns like many on this forum, it is far more shallow and delicate than my heavy hands are accustomed to, but when it comes to a big peice of steel that products are struck from, I've learned a thing or two and hammer and chisel technology still pays off. Yes guys, I do have a power engraver, but the majority of my work is about getting it done in a timely fashion. My gravermax sits and watches me while I produce three or so 3D dies a week on average. The gravermax comes out on weekends to play, but it would never be able to handle my die work load Monday through Friday. Sorry for the pun, but it just couldn't cut it. It would be good for final work and detail, but in the trenches the mighty chisel rules, in die engraving that is.
 

Tom Curran

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Steve, I think you have touched on a topic there that fits both worlds. The hammer and chisel is not an edangered speices; far from it. Both the GraverMach and the hammer have their place. I like to pare off great big chips with the chisel, a feat the gravermach would take ten or more passes to accomplish.

So, Gentlemen, choose your weapons.
 

White Raven

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Hi, I have enjoyed reading this. I am retired and trying to learn engraving as a hobby (now) , have time and it does not bother me that I should learn to walk before I run. Long range plans have me "klicking my heels and finding myself in Kansas" in `08. Until then , I am pushing by hand want so much to master the "basics" before I go to school. Is there any printed materal available that I could benifit from? I have been practicing on copper and have done a few pieces in silver , and need help !!!!!! I have ordered the books on scrol design and have very little else. Any help would be appreciated . Thankz , Ron
 

FANCYGUN

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There is a certain sense of satisfaction when you WHOOF out a background with the hammer and chisel. I actually think I can remove a background faster with the hammer.I use both methods and actully using the Gravermach more and more since back surgery a few years back. But I still love the sound of the hammer hitting steel so I won't totally give it up.
 

Tom Curran

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To me, the hammer and chisel is much more natural. But for finer work and shaping, I can appreciate the control of the Graver Mach.I have only done a little work with this system, but like it very much. I will keep my diesinkers and hammers at ready, always.
 

rhenrichs

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I have posted this quote that I got many years ago from James Meek on another forum some time back but for you that haven't seen it here it goes. I purchased a Gravermeister in the early 1970's back in the days when pneumatic tools weren't pure and I didn't tell anyone that I had it. I happened to be talking to Mr Meek and asked if using the Gravermeister was still hand engraving and this was his reply..."It is finished job that counts. Do you think people appreciate your work more if they knew that you held the graver in your teeth and beat yourself on the back of your head with a chase hammer"....That answed the question and I use whatever tool that is needed to get look I want

Roger Henrichs
 

Jim-Iowa

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Clueless in Iowa?

Who da thunk?:( While in highschool I used to bag groceries and carry them out and load them in a Mr Meeks car. At the time I hardly knew what engraving was let alone find myself interested in the subject.
If I had only known oh the questions I should have asked.
 
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