Just realized I said I have one question at the start of my post then proceeded to ask about a dozen. Guess that’s what happens when you go down the engraving rabbit hole!
One question I have for advanced level of bulino is how does one achieve that truly photo realistic look. For example if you look for masters like firmo&francesca fracassi, Geoffrey lignon, etc it’s as if a black and white photo is set into steel.
Just thinking through the problem in my head...
Thanks for the feedback! That’s one big issue for me is the proportion of different features. Guess I was a bit off with the eyes. I see what you mean though. I’m going to leave it for now. Reason being I like to take feedback and apply it to the next piece. Down the road when I have the skills...
Just finished up this project, let me know what you all think. Put about 30 hours total into it over the course of a few weeks. Most of that time was at work while on lunch 1/2 hour at a time. Made from grade 2 titanium. The whole piece other than the background was done with a Lindsay angle...
this forum is so cool, you can ask questions about the most niche engraving related topics and get an answer. Just fantastic!
If you are looking for an individual who loves to share knowledge and is a master penman and also an engraver look up Jake weidmann. The man’s work is top knotch.
It may be a bit large, this was my reference photo. Still fairly new to scrimshaw. Lots of practice to go. I find getting proportions right to be the most challenging part.
Finished up this peregrine falcon today. Done on a tagua nut. Thanks for taking a look and please feel free to leave critique. I would love to hear others input.
Anyone have experience with the Andu pneumatic bulino pen?
I have been getting into bulino and scrimshaw a lot this last year and use my Lindsay classic for light powered stippling. Works pretty well but I thing the pen shape form factor would be more ergonomic.
For most of the work I use just...