Green gold is an alloy that is basically a silver rich alloy. So if you wanted, you could mix pure silver (and no copper) for the far end of a green gold. It could be that there is more silver than copper in your alloy.
the other thing that could be at play is so with if called depletion...
Maybe that you are trying to solder gold as tho it were silver.. with gold you don’t have to worry as much about heating up the whole piece... you can focus on your joint much earlier than you would with silver.. that said, you still have to sneak up on it a bit...
I barely solder...
Ya.. you will want a vice that you can fix in place.. you might be better off with a wood carvers vise, where you can move your piece around for different angles of attack, but you can lock it in place when you find your spot.
In the meantime practice sharpening. I like to keep 3-4 of the same tool around so i can stave off sharpening for a bit.. then i will do a whole bunch at once when they pile up.
You link the last node to the first node to make an enclosed object.. (i think the shortcut is P, its been a while since i messed with illustrator
there are a number of ways you can intersect shapes that you have created, ie join, cut one out of the other etc.. all in the merge menu..
You can engrave fine honed up to 600. You won’t get a matte color tho, it will be essentially streaky. But I guess will hold color better.... but I don’t know how much help the ink needs
Reppousse is the “easier” route if you are doing a one off.
casting, at least casting done well, takes all the work of carving the original work.. then going through the process of casting it.
then you wind up chasing and tee grabbing the surface anyways. This will save all kinds of time in...
I used a plastic lens first. Got it from an eye dr. Either plus 3 or negative 3 diopter. I fit it into a piece of pvc and taped it to my scope. Worked. Little bit of chromatic aberration, but not so that it interferes with carving.