" i was watching engravers at work on youtube, from Westley Richards and i think Holland and Holland, they were using the push method of engraving."
Don't let what you saw there fool you. Some of those engravers use air assist tools but there is another aspect of their work to consider. British...
It really does depend on what your goal is with engraving. For instance, if you want to engrave copper plates to create print art, all you need are some hand pushed burins. If you intend to engrave on items of hardened steel you will need a hammer and some long gravers or an air powered system...
It is my sad duty to announce the passing of Garry W. Halter, 80, of San Angelo, Texas, who passed away on July 3, 2018.
Garry was a long time member of the Firearms Engravers Guild of America who mainly worked on guns and knives. Unfortunately, Garry was one of our members who I did not know...
You could hand push the work on that piece. The fleur de lis and grapes were done with a stamp but could be engraved. the zig-zag pattern (known as "wriggle tooling") was done by walking a flat graver side to side.
Jerry,
There are three options for dealing with the roll die impressed scene on the cylinder.
1. Leave it as is.
2. Deepen the lines and add additional shading to make the scene more prominent.
3. Use a lathe to remove the scene then engrave/inlay with whatever fits the theme of the rest of...
If you must work in brass, I would use H&C. Cast brass can cut very poorly with H&C or air assist as it will chip out ahead of the graver. Get some copper for practice.
ITM,
First off, brass can be really difficult to hand push depending on if it is cast, rolled, or forged. Schools that taught hand engraving use rolled sheet copper for beginners to work on. I actually would prefer to push a burin in mild steel rather than brass. Most hand engravers who do...
Jerry,
Here is how I see it:
First Generation; Collectors of first gen. Colts are only interested in totally original guns and consider it a sacrilege to alter an original in any way, even if it's a dug up relic. Further, one would never modify a high condition first generation percussion...
Mr. Nyberg,
Thanks for posting the above information. As historian of FEGA my focus is on gun engravers, nevertheless, I find information about any historic engraver very interesting. I plan to get a copy of your book about Scot.
Regards,
C. Roger Bleile
Larry,
The hallmark on the left side of the gun is Emma's for sure. As JJ indicated above, she has copied a standard Winchester pattern so without the hallmark, I would not know that the work was hers. This particular gun was engraved in the Winchester No. 4 style.
Leonard has been modifying the frames to screwless on guns he has been engraving for the past few years. If you look on Leonard's web site, there is a series of pictures on the right side that shows his process. http://www.francolini.com/
I will begin with a brief recap of what this tutorial is about and how it came to be. Back in early June at Scott's Engrave-In I showed some pieces that were cut in what I usually refer to my "double bevel" style. One of the engravers indicated that it was something also called "transition style...