I think the question has probably received the best advice it could. Tak this as an addendum.
Engraving and drawing are actually pretty similar.. but also with some notable differences.
The visual language of engraving and drawing closely related. I think what people have said above is...
i have a portable work bench, which is essentially a tool box.
there is a removable dowel longwise across the opening that is repurposed as a mast to hold my flexshaft, if it is part of my travelling toolkit.
the box tips over on its side with the op[ening facing me.. the lower side is clamped...
I’ll do a fair cry less than four swipes... i’ll Travel about 1/2” to 1” on 2000 grit, to a porcelain Lapp.. and that’s lots for me.
A little more if i am cutting strictly straight lines for a bit
I used a faceting machine for years. Worked great, high torque (on the one i used anyways) had an oil drip.. had a cutaway in the pan to access all the angles i needed.... I didn’t bother to hook it up to the mast tho, just eyeballed my cuts
Not all diamond stones are created equal.. i still have one in operation from lee valley that i inherited from myth dad about 25 years ago.. the grit is somewhat finer, but it still cuts fast. I’ve gotten new ones that were spent in a year.. and I’ve got some new ones that are good...
Where in canada?
If you are in van, there is a pretty strong engraving community there..
but sam speaks the truth. The classifieds here seem to move engraving equipment quite well.
Up..
Do correspondence.. answer emails etc.
Coffee with my wife.. watch the birds in the garden.
Go for a walk.. hr-1.5hr
Breakfast.
Into the shop.
Carve for about four hrs..
Stand up and mess around.. try new techniques, or do some other thing that is pressing that doesn’t involve...
Also you pay for the labour of having somebody else draw it down for you... I don’t know what the premium is because I have never bought wire...
the other reason, besides the good ones written above, is if you have your own alloy recipe, and you want your wire in a specific color.
He is saying to further entwine your snake. So that it is literally woven into itself through a pattern of under over.. so every other time it crosses itself, it will cross under itself.
This will homogenize the design and create a balance and rhythms across the whole design...
That is...
i don't want to steer you wrong, since I have multiple coalescing filters in my line.. but I remember ray cover had two things besides his filter, one was a long section of tube right out of the machine this is coiled before any filters.. this allow the air to cool and for moisture to settle...
Could be any of those things... and again, Gould be some small piece of grit crumbled off and scoring the surface under your stone... if your stone has squid edges, it could also be that you are slightly tipping your stone, and scoring grooves with the edges
I’m not totally sure I am following you.... but what may be ya-penning is the paper is breaking down, effectively giving you a “higher” finest grit at the end of your process. The stone breaks down as you work, exposing new fresh stone all the time, so it will be a true 1200 polish at the end...
Definitely if it’s plate.. can arrived all scuffed up, or pitted if it is steel.. in person you can examine... if it is gold, it’s a matter of it being in the mail