some were made with a rather softer steel. a wedge of hardened steel was welded in the area of the cutting edge and tempered. i used to do work for a hawk maker. that is how he did his
to worry or not ? what happens to the cut when you "bury one side of the heel"? what sort of cut are you trying to make? staight or curved ? it's hard to say wich graver to use. it all depends on what you're trying to do to determine the best graver and geometry to use. get a couple practice...
i think it's a bit foolish to create work that a dude or dudess must use optical aid to appreciate the work.key word,"must".
why create that which is too difficult to see ? i don't mean one cant look at a work with a loupe to do a close inspection. i just feel the work should be easy to see...
if that is the case, it would be an intresting read. i wonder what he considered, "rough sarpening"? by that i mean what grit did he consider to be rough.
just guesswork: i'm tinkin this piece was intended to go on top of a walking stick/cane. the name probably belongs to the intended stick owner. maybe ?
interesting, to say the least. since i don't do bulino, this wouldn't do me much good. i used to use a "lucie" wen doing oil portraits of live models .for portriature i found them to be a waste of time. although for static subjects ( drawings/ fotos) they can prove useful. good ole fashioned...